" Jonathan has created temples from the verso. He is treading conscientiously as he lights a path thwarted by moral misconceptions, violent politics, and traditional booby traps, yet, his is a quasi spiritual endeavour, and like Turner painting the Houses of Parliament on fire, he is not making any social statement but imprinting our memory with the nuance of personal history touching the edge of a world, that for all its divine potency, remains in peril. And this we feel, as we let the traces of his journey penetrate the shadows of our stasis. We are immobile before these scenes, as they turn to skin, to bones, to meat, and to stone, yet, we ponder still, immersed in the lactose evanescence of contemplation. "

 

Pascal Ancel-Bartholdi . FULL ESSAY